Cointreau


what:

orange & herbal liqueur

where:
Le Bar
Hotel George V
31 Avenue George V
Paris


when:
early spring

 

character:

Adding Cointreau to a drink is like wearing fine silk about the neck—whether that be a lady’s silk scarf, or a gentleman’s cravat. Designer or second-hand, skinny or wide, neatly tied or quickly thrown about on the way out the door, it is generally thought of as supplemental yet adds two indispensable elements: texture and color. The first it brings with its obvious silk sheen, the second typically in warm hues (and classically in a deep bronzed-orange). Each adds a layer of sophistication less subtle than Vermouth and, at the same time, less affected than Chartreuse or Benedictine. And therein lies its timeless appeal. Because it is sensual in the way it draws the eye to the face and reserved in the way it closes down the neck; because it is 160 years old and still fresh as tomorrow; because it is easy to under- or over-do; because getting it right can make up for much wrong elsewhere; because it is the last thing one puts on and the first thing another wants to remove; and because it is just so very French—for all this it is as essential as it is essentially stylish.


tastes like:


A hand resting on another’s knee in a way that is outwardly casual and innocent, but in which the fingertips rest just so, as to be something else entirely.


pairs nicely with:


Late afternoon after checking out of the Four Season Milan, Milano Centrale, oversized 30’s print advertising (particularly those by Frank Newbound, Charles Loupot, or most particularly Leonetto Cappiello), Budapest Keleti at night, being one of two people not asleep on an overnight train, Gare du Nord, ‘C’est lui’ by Josephine Baker, brandy and lemon juice, and an evening of cocktails with an old friend one happened to meet on the train to Paris, throughout which both parties are acutely aware of their being perhaps one good cocktail away from seriously endangering said friendship, the inevitable question ‘Would either of you care for another?’, and the silence which lingers over a table when both sides look across in hopes that the other will say yes, first.